中文
MOBILE Version
唐琛
Click:
Updata time:
.
.
Home
Scientific Research
Research Field
Paper Publications
Patents
Published Books
Research Projects
Teaching Research
Teaching Resources
Teaching Information
Teaching Achievement
Awards and Honours
Enrollment Information
Student Information
My Album
Blog
Personal Information
(Associate Professor)
Name (Pinyin):
tangchen
School/Department:
文学院
Gender:
Female
Professional Title:
Associate Professor
Status:
Employed
Discipline:
Literature
Other Contact Information
Email:
0a60f1ce2e7510df586727851cbbe922d22401319db81d1afa28821fc3235247350239dff42ab86362a515e4227ddd4ec18a385d69a945c24d3085ed8b1b7224114c81045fcdcde80dae100f064aca3e3111dd858b1ab4506ff7c82b73745da2db84316cd5317c77dddf1cdbdff12b6883c2d900a8401d45133731b216c948c1
Paper Publications
Home
>
Scientific Research
>
Paper Publications
贾樟柯电影的空间位移与时代书写
Release time:
2024-08-09
Hits:
Affiliation of Author(s):
文学院
Journal:
青年记者
Key Words:
中文关键字:贾樟柯 空间位移;时代书写;历史淹没,英文关键字:
Abstract:
作为中国第六代导演的代表人物,贾樟柯早期的“故乡三部曲”以特定地域和群体来承载自己的影像叙事,奠定了自己“作者电影”的身份。新时期以来,“艺术家三部曲”、《天注定》、《山河故人》等影片在拓展贾樟柯作品序列的同时呈现出空间位移的特征,空间的游走与镜头视域的切换中表征着作品关照对象与镜语风格的嬗变。本文试图从空间位移的角度探讨贾樟柯电影的主题变奏与时代的症候性书写,从理论和现实意义上把握贾樟柯电影的艺术风格。
Note:
唐琛
First Author:
tangchen
Indexed by:
Journal paper
Volume:
卷:
Issue:
期:529
Page Number:
页:70-71
Translation or Not:
no
Date of Publication:
2016-06-01
Pre One:
研究生教育转型期外籍教师的作用与存在问题分析
Next One:
海明威作品语言与写作风格研究
Back
Top